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Sublime Harmonie Plérodiénique
Made by Paullard-Vaucher et Fils, Sainte-Croix, Switzerland
c. 1882-1884
The Murtogh D. Guinness Collection
Morris Museum |
A highlight of the Murtogh D. Guinness Collection during its namesake’s
lifetime, this elegant musical box was built by Paillard-Vaucher et Fils
of Sainte-Croix, Switzerland. It is housed in an ebonized case and conforming
table inlaid with brass scrollwork, mother-of-pearl, ivory, and edge moldings
of gilt brass. The table actually serves as a writing desk, with a pullout
escritoire in the center; side drawers hold the interchangeable music
cylinders.
This piece combines two of the most revolutionary musical box designs
in history. Sublime Harmonie refers to a musical effect that relies on
the slight dissonance created when two notes of ostensibly the same pitch
are sounded, thus producing a richer and fuller sound. Plerodienique is a complex system that permits lengthy music selections to be played
without interruption. Mr. Guinness’s favorite selection on this
box was a five-minute rendition of Weber’s “Invitation to
the Dance.”
In the 1970s, when Murtogh Guinness removed the beveled mirror on the
inside of the lid to have it re-silvered, he discovered London journals
dated 1880 that served as backing material. This simple discovery reinforced
the theory that some Paillard movements were originally exported “bare” from
the maker in Switzerland to the Paillard-Vaucher et Fils showrooms in
London, where English cabinetmakers mounted them in custom-made cases.
(In this instance, the cabinetmakers of the 1880s had apparently just
grabbed the most handy paper material to keep the mirror and lid from
rattling against each other.)
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